Studies

This week’s study

  • Readings: Aug. 1, 2026
    Leviticus 22–23 calls Israel to honor God through worship and to meet Him through His appointed times. These festivals rehearse His redemption: Messiah is their substance, not their cancellation. Paul in Colossians 2 warns believers against human judgments and counterfeit spirituality, while Zechariah 14 looks ahead to Yeshua’s worldwide reign, when all nations will celebrate the Festival of Tabernacles. God’s calendar tells one unfolding story — from holiness and deliverance to resurrection, restoration and fellowship.

Related readings

See the full year of readings from First Fruits of Zion and TorahResource (one-year cycle or three-year cycle). For a schedule of readings to go through the Apostolic Writings and Prophets & Writings, see the Scripture-reading cycle at MessianicJudaism.net.

Latest study notes and audio recordings

A digital oil painting in bold palette-knife style created by ChatGPT shows a symbolic journey from the Tabernacle's bronze altar to Ezekiel's Temple table, then to Yeshua breaking bread with His disciples, leading into a golden harvest of Jews, Samaritans, and people from every nation streaming toward the heavenly Jerusalem. Rays of divine light unite each scene. The image includes the text overlay, "Breaking bread with God: How the Bible uses meals to explain spiritual life (Leviticus 21; Ezekiel 44; John 4, 6; 1 Corinthians 10–11)," and a Hallel.info watermark.
Discover why Leviticus 21, Ezekiel 44, John 4 and 6, and 1Corinthians 10–11 focus on the “table of the LORD” and what that means for us today. We explore what it really means that ancient Israel’s priests handle the “food of God,” why Yeshua (Jesus) says His food is to do the Father’s will, and how our approach today to Heaven’s altar reveals whether we’re truly drawing near — or just dropping off a gift and walking away.
Read More
Palette-knife digital oil painting by ChatGPT of diverse worshipers on a hilltop, raising their hands toward golden-lit Second Temple Jerusalem at dawn beneath a vibrant orange-and-purple sky. Text overlay: “Why the Apostles chose 4 rules for Gentiles — and what comes next (Acts 10, 15; Leviticus 17–20; Amos 9; Ephesians 4–5).” Has a Hallel.info watermark.
The apostles’ four prohibitions (idols, blood, strangled, sexual immorality) for Gentile believers in Acts 15 were a starting line, not a finish line, for holiness. Explore how they fit together with Leviticus 17–20, Amos 9, Acts 10 and Ephesians 4–5. Find out how Gentiles “called by God’s name,” mixed seeds and fabrics, and why honest speech, justice, and love of neighbor are central to walking as a holy people in a divided modern world.
Read More
Palette-knife oil painting by ChatGPT of two contrasting paths viewed from above: a wide, chaotic route in jagged red and black strokes and a narrow, peaceful path in cool blues and whites, with a lone figure stepping toward the narrow way. Text overlay: “In the world but not of it: How ancient texts guide modern sexual ethics (Leviticus 18; Genesis 2–3; Romans 1; 1Corinthians 5–6).” Hallel.info watermark.
What’s the point of the Torah’s stark language about nakedness, sexuality and child-sacrificing pagan worship in Leviticus 18? It’s really about something deeper: exploiting the vulnerable, crossing God-given boundaries and confusing shame with holiness. Tracing themes from Leviticus, Genesis, 1Corinthians, Hebrews and James, we explore how “naked and not ashamed” became fearful hiding — and how Messiah becomes our true covering. Discover how sanctification, judgment and grace meet in a God who refuses to leave us in our damage.
Read More
Digital oil palette-knife painting showing a symbolic journey from the Exodus to liberty: people cross the desert beneath the pillar of cloud and fire on the left, blending into a radiant light that leads toward a modern skyline with Independence Hall and the Liberty Bell, representing God as Redeemer and the source of true freedom. Text overlay says, "Freedom: What the Liberty Bell, Leviticus, and Jesus Have in Common. (Leviticus 17; John 6)." Created with ChatGPT.
This year, the Fourth of July lands on Shabbat (Sabbath) — a day that each week celebrates how God sets people free and gives them rest. As we commemorate 250 years since the Declaration said we’re “endowed by our Creator,” we’ll explore what real, God-given freedom and redemption look like in everyday life.
Read More
This ChatGPT-created digital painting in an oil palette knife style depicts Yeshua's parable of the Pharisee and the tax collector in Luke 18:9–14. A proud Pharisee stands praying confidently in the foreground while a humble tax collector bows with head lowered in the background inside the Temple, illuminated by warm golden light. The image includes the text overlay, "Day of Atonement: A simple guide to Yom Kippur, forgiveness and Jesus (Leviticus 16; Titus 3; Hebrews 9–10; Luke 18)," and a Hallel.info watermark in the lower left corner.
Discover how Messiah Yeshua (Christ Jesus) brings to fullness Leviticus 16 and is detailed description of the Day of Atonement (Yom Kippur). We connect Titus 3; Hebrews 9–10; and Luke 18 to show how Yeshua, our merciful High Priest, provides Heaven’s ultimate covering, removing and purposefully forgetting our sin, transgression and iniquity. Trace the journey from each of our “house of bondage” to the Promised Land of freedom and the meaning of Yom Kippur’s two goats. And we learn what it means to humbly trust (have faith) in His finished work.
Read More
Created with ChatGPT, this oil palette knife digital painting shows two first-century Judean scenes. On the left, a woman with a twelve-year flow of blood kneels and grasps a blue-threaded tzitzit on the lower hem of Yeshua’s outer cloak. On the right, Yeshua gently helps a twelve-year-old girl stand after raising her from death as witnesses look on in amazement. The image has the text overlay, “Living water vs. dead bones: How Messiah moves us from decay to new creation (Leviticus 15; Matthew 9 & 23; Mark 5; Luke 8),” and includes a Hallel.info watermark.
Leviticus 15 with its uncomfortable discussion of bodily discharges has amazing connections to the dramatic Gospel accounts of the woman with the 12-year hemorrhage and the resurrection of a 12-year-old girl (Matthew 9, Mark 5, Luke 8). Explore how faith, Messianic touch, uncleanness, and death intersect with the mysterious red heifer (Numbers 19), and the mic-drop moments of Yeshua (Jesus) against hypocrisy (Matthew 23). See how internal vs. external purity, life vs. death, and the Kingdom of Heaven all converge in this rich, layered teaching.
Read More
Created by ChatGPT, this oil palette knife-style digital painting shows a formerly ragged outsider (healed leper) walking toward a walled city with closed gates, carrying baskets of bread and supplies. Trails of glowing light follow the figure’s steps as people on the city walls notice and point in surprise. The scene uses rich, slightly muted earth tones with bold, textured brushstrokes, conveying hope, restoration, and the reversal of an outcast becoming a bearer of good news. Text overlay reads: “Healing more than the body: What biblical lepers show about God’s kindness (Leviticus 14; 2Kings 7; Luke 17; Mark 1).” A Hallel.info watermark appears in the lower left corner.
Leprosy in Scripture exposes more than damaged skin; it uncovers the heart. As God met outcasts outside the camp, He meets us in our own wilderness places. There He calls to trust, receive cleansing through the Messiah, and return to communities as consecrated servants.
Read More

More studies